[S-fotografie] I: Seminario di Filosofia dell'Immagine: Thresholds (Milan, Mar-Jun 17)

Silvia Paoli Silvia.Paoli a comune.milano.it
Mer 5 Apr 2017 22:51:30 CEST


Segnalo questa interessante iniziativa dell'UniversitÓ Statale di Milano, sotto la direzione del Prof. Andrea Pinotti


Dr.Silvia Paoli
Conservatore Civico Archivio Fotografico
Civiche Raccolte Grafiche e Fotografiche
Musei del Castello Sforzesco
20121 Milano
Tel. +39.02.88463740
cell. +39.335.1428238




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Da: H-NET List on Art History/Die E-Mail-Liste fuer Kunstgeschichte im H-Net <H-ARTHIST a H-NET.MSU.EDU> per conto di H-ArtHist (Elsje van Kessel) <vankessel a ARTHIST.NET>
Inviato: mercoledý 5 aprile 2017 02.39
A: H-ARTHIST a H-NET.MSU.EDU
Oggetto: ANN: Seminario di Filosofia dell'Immagine: Thresholds (Milan, Mar-Jun 17)

From: Giacomo Mercuriali <giacomo.mercuriali a unimi.it>
Date: Apr 5, 2017
Subject: ANN: Seminario di Filosofia dell'Immagine: Thresholds (Milan,
Mar-Jun 17)

Milano, UniversitÓ Statale di Milano, March 28 - June 13, 2017

Seminario di Filosofia dell'Immagine 2016/2017: Thresholds

The traditional notion of the “threshold” between images and reality
found paradigmatic expression in the myth of Narcissus. According to a
version of the story, the Greek youth, being unable to distinguish
between his own body and its reflection in the water, drowned while
trying to reach it, literally immersing himself into his own image.

Over the very last decades, Narcissus’s legend has unpredictably become
fact thanks to the technological advancements which make it possible to
create pictures indistinguishable from actual reality. What was
formerly an exceptional violation of the borders (elements of the
picture stepping out of the frame or of the screen, or vice versa
elements of reality entering the image) is now the rule. Just think,
for instance, of the stunning enhancements in computer graphics and
animation techniques, in the creation of immersive environments, or
even in the development of humanoid robots which are becoming more and
more able to naturally interact with people thanks to the progress in
artificial intelligence. In a near future, the widespread diffusion of
virtual reality headsets such as Oculus Rift will radicalize the
paradox of an extremely mediated experience promoting a belief of
immediate presence.

The seminar aims at investigating this phenomenon through a
cross-disciplinary approach blending aesthetics, history of art,
anthropology, cognitive science, theories of new media, as well as
cinema and game studies. Attention will be paid to both the
historical-genealogical sources of the concept of immersion in ancient
and modern culture and the new horizons opened by the most recent
technological developments.

——————————————————————————————————————

Second Semester sessions:

Tuesday 28 March 2017 (18-19.30)
GORDON CALLEJA
University of Malta
Immersion in Digital Games

Wednesday 5 April 2017 (18-19.30)
MAURIZIO GUERRI, Accademia di Brera – Istituto Nazionale per la Storia
del Movimento di Liberazione in Italia
Rimontare le immagini. ImmersivitÓ e źoperative images╗ in Harun Farocki

Tuesday 11 April 2017 (18-19.30)
NICOLA TURRINI, UniversitÓ di Verona
Topologia del sogno e immersivitÓ a partire da Inception di Christopher
Nolan

Wednesday 19 April 2017 (18-19.30)
CHIARA CAPPELLETTO, UniversitÓ Statale di Milano
Il narciso, lo schizofrenico, l’attore

Wednesday 26 April 2017 (18-19.30)
DANIELA FERRARI, MART Rovereto
Oltre il confine della tela per entrare nell’opera

Tuesday 2 May 2017 (18-19.30)
ANTONIO SOMAINI, Université Paris 3 – Sorbonne Nouvelle
Estetiche e politiche dell’alta e della bassa definizione

Tuesday 16 May 2017 (18-19.30)
ISABELLA PASQUALINI, ╔cole Polytechnique de Lausanne
L’avatar architettonico: le origini dell’abitazione tra presenza e
rappresentazione virtuale

Tuesday 23 May 2017 (18-19.30)
BARBARA GRESPI, UniversitÓ di Bergamo
L’immersione stereoscopica: cinema e immagini gestuali

Tuesday 30 May 2017 (18-19.30)
VICTOR STOICHITA, UniversitÚ de Freiburg
Il ritratto del sultano. Difese ottiche e dispositivi di
rappresentazione fra Oriente e Occidente

Tuesday 6 June 2017 (18-19.30)
CATRIN MISSELHORN, Universitńt Stuttgart
Pictorial representation, imagination and the feeling of presence

Tuesday 13 June 2017 (18-19.30)
MICHELE COMETA, UniversitÓ di Palermo
ProfonditÓ della superficie: note sul display nel paleolitico

——————————————————————————————————————

SCIENTIFIC DIRECTION
Prof. Andrea Pinotti (Full Professor of Aesthetics, UniversitÓ Statale
di Milano).

ORGANISING COMMITTEE
Pietro Conte, PhD (Universidade de Lisboa)
Anna Caterina Dalmasso, PhD (UniversitÚ Jean Moulin Lyon III /
UniversitÓ Statale di Milano)
Federica Cavaletti, PhD Student (UniversitÓ Cattolica del Sacro Cuore
di Milano)
Giacomo Mercuriali, PhD Student (UniversitÓ Statale di Milano)

WEBSITE
filosofiadellimmagine.com

EMAIL / NEWSLETTER
seminario.immagine a gmail.com

FACEBOOK
facebook.com/SeminarioFilosofiaImmagine

Reference / Quellennachweis:
ANN: Seminario di Filosofia dell'Immagine: Thresholds (Milan, Mar-Jun
17). In: H-ArtHist, Apr 5, 2017. <https://arthist.net/archive/15143>.

____________________________________________________________________

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